A fantastic issue for those with an interest in Soviet film and theater with articles by or about Sergei Eisenstein, Vsevolod Meyerhold, Siminoff, Stanislavsky, Anatoli Glebov, Sergei Tretiakov, Erwin Piscator, Chen I-Wan, and Heinrich Diament.

The New Theatre. Vol. 2 No. 1. January, 1935.

Contents: Editorial by Harold Edgar, Yesterday by Anatoli Glebov, Soviet Theare Today by Heinrich Diament, Theatre for Young Spectators, The State Jewish Theatre by Leon Moussinac, The New Soviet Cinema by Sergei Eisenstien, Meyerhold’s New Theatre by HWL Dana, An Epic of the Ether by Sergei Tretiakov, A Theatre Director in the Soviet Cinema by Erwin Piscator, Animated Films, A New Generation by Marie Seton, The Soviet Dance by Chen I-Wan, New Soviet Movies, What They Said About Cinema, Workers Dance League Soloists, The Revolutionary Solo Dance by Steve Foster, Plays of the Month by Leon Alexander, Books, The Movie Front by David Platt, Shifting Scenes by Anne Howe, From Agitprop to Realism by Ben Blake, Voice of the Audience.

The New Theater continued Workers Theater. Workers Theater began in New York City in 1931 as the publication of The Workers Laboratory Theater collective, an agitprop group associated with Workers International Relief, becoming the League of Workers Theaters, section of the International Union of Revolutionary Theater of the Comintern. The rough production values of the first years were replaced by a color magazine as it became primarily associated with the New Theater. It contains a wealth of left cultural history and ideas. Published roughly monthly were Workers Theater from April 1931-July/Aug 1933, New Theater from Sept/Oct 1933-November 1937, New Theater and Film from April and March of 1937, (only two issues).

PDF of full issue: https://www.marxists.org/history/usa/pubs/workers-theatre/v2n01-jan-1935-New-Theatre.pdf