Art Front. Vol. 3 No. 1. February, 1937.

Contents: For a Permanent Project, Are Models Human? Civil Rights Poster Contest, Spain: Worth Repeating, The New Realism Goes On by Fernand Leger, Question and Answer with Philip Evergood, Balcomb Greene, and Helen West Heller, Our Expressionists by Jacob Kainen, A Child’s Point of View by Ryah Ludins, Correspondence on Aragon with Paul Strand and Joseph Grower, Exhibition Reviews.

Art Front was published by the Artists Union in New York between November 1934 and December 1937. Its roots were with the Artists Committee of Action formed to defend Diego Rivera’s Man at the Crossroads mural soon to be destroyed by Nelson Rockefeller. Herman Baron, director of the American Contemporary Art gallery, was managing editor in collaboration with the Artists Union in a project largely politically aligned with the Communist Party USA.. An editorial committee of sixteen with eight from each group serving. Those from the Artists Committee of Action were Hugo Gellert, Stuart Davis, Zoltan Hecht, Lionel S. Reiss, Hilda Abel, Harold Baumbach, Abraham Harriton, Rosa Pringle and Jennings Tofel, while those from the Artists Union were Boris Gorelick, Katherine Gridley, Ethel Olenikov, Robert Jonas, Kruckman, Michael Loew, C. Mactarian and Max Spivak.

PDF of full issue: https://www.marxists.org/history/usa/parties/cpusa/art-front/v3n01-feb-1937-Art-Front.pdf