The New Theatre. Vol. 2 No. 2. February, 1935.

Contents: Broadway Inc. vs. The Theatre by Black Taylor, Stanlislavsky’s Method by MA Chekov, The ARTEF on Broadway by Nathaniel Buchwald, Ladies of the Revolutionary Dance by Emmanuel Eisenberg, Will Hayes Puppet Director by Tom Langley, Waiting for Lefty by Clifford Odets, Shows for Sale by Harold Edgar, Voice of the Audience, Life Will be Beautiful by Robert Stebbins, Dramatizing Our Times by Frederick Wolf, The Dance League Recital by Edna Ocko, Dance Reviews by Dal Negro and Skripp, The Dance Front, Shifting Scenes, Backstage.

The New Theater continued Workers Theater. Workers Theater began in New York City in 1931 as the publication of The Workers Laboratory Theater collective, an agitprop group associated with Workers International Relief, becoming the League of Workers Theaters, section of the International Union of Revolutionary Theater of the Comintern. The rough production values of the first years were replaced by a color magazine as it became primarily associated with the New Theater. It contains a wealth of left cultural history and ideas. Published roughly monthly were Workers Theater from April 1931-July/Aug 1933, New Theater from Sept/Oct 1933-November 1937, New Theater and Film from April and March of 1937, (only two issues).

PDF of full issue: https://www.marxists.org/history/usa/pubs/workers-theatre/v2n02-feb-1935-New-Theatre.pdf