Tag: Art and Marxism
‘Nietzsche as Forerunner of Fascist Aesthetics’ by Georg Lukács from International Literature. Vol. 5 No. 11. November, 1935.
‘Race, Nationality, and Art: A Correspondence’ by Meyer Schapiro and Jennings Tofel from Art Front. Vol. 2 No. 6. May, 1936.
‘The Application of Dialectical Materialism to Art and Literature’ by August Thalheimer from Road to Communism (I.C.O.). Vol. 2 No. 2. Spring, 1935.
‘On the Nature of Art’ by Delmore Schwartz and Meyer Schapiro from Marxist Quarterly. 1 No. 2. April-June, 1937.
‘Thomas Benton’s Populist Realism’ by Meyer Schapiro from Partisan Review. Vol. 4 No. 2. January, 1937.
‘The Paintings of Walter Quirt’ by Clarence Weinstock from Art Front. Vol. 2 No. 5. April, 1936.
‘Paint the Revolution’ by John Dos Passos from New Masses. Vol. 2 No. 5. March, 1927.
‘Ryan Walker’s Life and Work Built Around Struggles of American Labor’ by Jacob Burck from The Daily Worker. Vol. 9 No. 151. June 25, 1932.
‘A Metaphysics for the Movies’ by Meyer Schapiro from Marxist Quarterly. Vol. 1 No. 3. October-December, 1937.
‘Nature of Abstract Art’ by Meyer Schapiro from Marxist Quarterly. Vol. 1 No. 1. January-March, 1937.
‘Differences Over Fernand Leger’ by Balcomb Greene and Clarence Weinstock from Art Front. Vol. 2 No. 2. January, 1936.
‘Fred Ellis, Artist of the Proletariat’ by A.B. Magil from The Daily Worker. Vol. 5 No. 315. January 5, 1929.
‘Abstract Art at the Modern Museum’ by Balcomb Greene from Art Front. Vol. 2 No. 5. April, 1936.
‘John Reed Club Art Exhibition’ by John Kwait (Meyer Schapiro) from New Masses. Vol. 8 Mo. 7. March, 1933.
‘Pre-historic Rock Pictures’ by Charmion von Wiegand from Art Front. Vol. 3 No. 5. June-July, 1937.
‘Film Forms: New Problems’ by Sergei Eisenstein from New Theatre and Film. Vol. 3 Nos. 4, 5, & 6. April, May, & June, 1936.
‘Communism and the Stage’ by Henriette Roland-Holst from Communist International. Vol. 1 No. 11-12. June-July, 1920.
‘The Surrealists’ by Charmion Von Wiegand from Art Front. Vol. 2 No. 12. January, 1937.
‘Communism and Civilization’ by Henriette Roland-Holst from Truth (Duluth). Vol. 3 No. 30. July 23, 1920.
‘An Introduction to a Social Basis of Grecian Art’ by Joseph Vanzler (John G. Wright) from Modern Quarterly. Vol. 3 No. 4. September-December, 1926.
‘Art in Moscow’ by Anatoly Lunacharsky from Moscow. Vol. 1 No. 15. June 11, 1921.
‘The Wit of William Gropper’ by Harold Rosenberg from Art Front. Vol. 2 No. 6. March, 1936.
‘Public Use of Art’ by Meyer Schapiro from Art Front. Vol. 2 No. 10. November, 1936.
‘The Social Sterility of Painters’ by Jean Lurçat from Art Front. Vol. 1 Nos. 5 & 6. May & July, 1935.
‘Appeal to Playwrights’ by Virgil Geddes from New Theatre. Vol. 1 No. 1 No. 9. October, 1934.
‘Peasants and Pure Art’ by Harold Rosenberg from Art Front. Vol. 2 No. 2. January, 1936.
‘The Artists’ Union Show’ by Charles Humbolet from Art Front. Vol. 2 No. 3. February, 1936.
‘Expressionism and Social Change’ by Charmion von Wiegand from Art Front. Vol. 2 No. 10. November, 1936.
‘Our Greatest Mural Art’ by Charmion von Wiegand from New Masses. Vol. 15 No. 1. April 2, 1935.
‘Towards a Revolutionary Art’ by Louis Lozowick from Art Front. Vol. 2 No. 8. July-August, 1936.
‘Art Tendencies in Soviet Russia’ by Jacques Mesnil from Soviet Russia (New York). Vol. 6 No. 6. May 15, 1922.
‘Art Under the Proletariat’ by Jacques Mesnil from Soviet Russia (New York). Vol. 6 No. 5. May 1, 1922.
‘Art as a Weapon’ by Robert Minor from The Daily Worker. Vol. 2 No. 216. September 23, 1925.
‘The Social Significance of Futurism’ by Louis C. Fraina from New Review. Vol. 1 No. 23. December, 1913.
‘The Art of Walter Quirt’ by Charmion von Weigand from the New Masses. Vol. 18 No. 13. March 24, 1936.
‘The Banner of Art’ by Walter Crane from St. Louis Labor. No. 490. June 25, 1910.
‘Eitaro Ishigaki’s Two Traditions’ by Charmion von Wiegand from New Masses. Vol. 19 No. 5. April 28, 1936.
‘Quintanilla’s Etchings’ by Stephen Alexander from New Masses. Vol. 13 No. 10. December 4, 1934.
Art Front. Vol. 3 No. 1. February, 1937.
‘The Revolutionary Spirit in Modern Art’ by Diego Rivera from Modern Quarterly. Vol. 6 No. 3. Fall, 1932.
‘Art Under the Bolsheviks’ by Floyd Dell from The Liberator. Vol. 2 No. 6. June, 1919.
The Painting of the French Revolution by Milton W. Brown. Series No. 8. Published by the Critics Group, New York. 1938.
Art Front. Vol. 3 No. 2. March, 1937.
Communist Culture, New York City from the New Masses, 1934.
‘Race, Nationality, and Art’ by Meyer Schapiro from Art Front. Vol. 2 No. 4. March, 1936.
‘Revolutionary Ballet Forms’ by Lincoln Kirstein from The New Theatre. Vol. 1 No. 9. October, 1934.
‘Not By Politics Alone’ by Leon Trotsky from Problems of Life. George H. Doran Publishers, New York. 1924.
‘Proletarian Art’ by V.F. Calverton from The Newer Spirit: A Sociological Criticism of Literature. Boni and Liveright, New York. 1925.
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